Netflix, Sony and Paramount are reportedly in talks to acquire Letterboxd, valued at $250 million. At stake are its community, data and film-discovery power.
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Series, platforms and streaming culture, from television storytelling to the systems that reshape how images, audiences and entertainment circulate today.
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Automattic, the company led by WordPress co-founder Matt Mullenweg, produced Code for the People: The Human Story of the Open Web.
Tilly Norwood will star in Misaligned: the first film featuring the AI actress shows how Hollywood is testing a new idea of performer.
Apple TV+ is preparing Neuromancer, an adaptation of William Gibson’s novel: a series that could bring cyberpunk back to its industrial and political core.
From online phenomenon to Hollywood’s new object of desire: Amazon MGM Studios, United Artists and Amblin will bring Alex Kister’s horror project to the big screen.
While the reboot developed by Ryan Coogler has just wrapped filming on its pilot episode, Chris Carter is working on a new director’s cut of The X-Files: I Want to Believe.
With Synthetic Sincerity, Marc Isaacs uses a fake AI research project to strike at glossy documentary filmmaking: ordinary people disappear, and what remains are avatars and celebrities.
Fox acquires Roku for $22 billion: it is not just streaming, but control over distribution, advertising and direct access to viewers.
Amazon MGM halts Martin Gero’s new Stargate series. Fans launch petitions and hashtags: can the sci-fi franchise still be saved?
The crushing success of Backrooms and Obsession against Star Wars shows that the new Hollywood will be born from YouTube, AI, microdrama and Big Tech platforms.
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