Zak Penn confirms he is working on Ready Player Two. Spielberg will produce, but there is still no director, cast, or greenlight: plot details, problems, and curiosities about the sequel.
Cinema
Films, filmmakers and moving images explored through memory, style, industry and imagination. From classic cinema to contemporary visions, stories and the cultures that shape them.
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From August 5 to 15, the 79th Locarno Film Festival moves from new films by Hong Sang-soo and Denis Côté to the nights of Piazza Grande, from the Hollywood blacklist to new sources of financing. The common thread is not a theme imposed on the films, but a concrete question: who decides what gets to reach a screen?
The trailer for The Days Off follows Bego from the heat of Buenos Aires into reality shifting, an online practice that promises access to a desired reality.
In Paloma Schneideman’s feature debut, a 14-year-old tries to find her place among older teenagers through MSN and the still-limited technology of 2006.
Searchlight Pictures is developing a new film adaptation of Desperation, the novel by Stephen King published in 1996.
The film about Rupert Murdoch’s acquisition of The Sun will open the Venice Film Festival on September 2, returning to the origins of the relationship between information, audiences and power.
Before facing Apollo Creed, Sylvester Stallone had to contend with an older, more organized opponent—one far harder to knock out with an uppercut: the film industry.
Andy Serkis clarifies how AI will be used for de-aging, discusses diversity in the cast and renews his campaign for motion-capture performances to receive proper recognition.
Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
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