Gillian Anderson and Hannah Einbinder star in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, a queer meta-slasher that reclaims horror, desire, identity, and the myth of the final girl.
Cinema
Films, filmmakers and moving images explored through memory, style, industry and imagination. From classic cinema to contemporary visions, stories and the cultures that shape them.
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Robert Eggers returns to the place contemporary horror cinema finds hardest to reach: the ancient darkness of what mankind cannot control, and has therefore always tried to transform into myth.
With Alejandro González Iñárritu’s new film, Tom Cruise seems to step out of the body of the action hero and into the more ambiguous one of the tycoon who causes the disaster and then expects to save us.
Quentin Tarantino and Kylie Minogue are in the cast of Tangled Up in Blue, the new Jamie Adams film shot in Wales with Visor Entertainment.
Lilly Wachowski presents The Hunted with a live reading: the political thriller, also produced by Natasha Lyonne, arrives at Dynasty Typewriter.
Amazon Drops Artificial, Luca Guadagnino’s Sam Altman Biopic, After OpenAI Partnership: “It Will Be Better Served by Another Studio”
The new film directed by Andy Serkis is taking shape: Ian McKellen is preparing to return as Gandalf in New Zealand, while Anya Taylor-Joy joins the cast.
At Tribeca 2026, Dear Upstairs Neighbors shows a concrete path for AI in cinema: custom-built models, artists in control, and carefully managed workflows.
Peter Weir receives the first AFTRS Lifetime Achievement Award at the Sydney Film Festival: a tribute to a cinema capable of giving shape to mystery without consuming it.
The first trailer for I, Object reveals Andrew Niccol’s new film: grief, fantasy as a refuge after loss, and talking objects.
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