Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
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Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
CAA challenges Meta: Muse Image can use photos and likenesses from public Instagram profiles. The agency is demanding explicit consent, stronger controls and rapid removal procedures.
Tilly Norwood will star in Misaligned: the first film featuring the AI actress shows how Hollywood is testing a new idea of performer.
OMNI Hyperphantasia awards Robert Gaudette among 3,800 AI films: with Alex Proyas on the jury, generative cinema is now a crowded ecosystem in search of selection.
Cate Blanchett presents the Human Consent Registry: a free registry designed to protect faces, voices and identities from unauthorized use by AI.
Robert Gaudette discusses A Face Only a Mother Could Love, generative AI, the Runway AI Film Festival, and the future of authorship between image, imperfection, and storytelling.
Festivals, tools and independent creators are building their own supply chain around AI cinema, while the old industry protects control, rents and slow decision-making.
At the Shanghai Film Festival, AI Backlot, iPhone-shot shorts and VR show how China is turning cinema into pure technological production.
With Synthetic Sincerity, Marc Isaacs uses a fake AI research project to strike at glossy documentary filmmaking: ordinary people disappear, and what remains are avatars and celebrities.
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