In-depth studies of actors, filmmakers, musicians and other cultural figures, exploring their careers, artistic identities, recurring themes and cultural influence.
Nicolas Cage says the Marvel Cinematic Universe is becoming a glorified, heavily financed version of professional wrestling. At the same time, he is preparing another thriller and remains attached to superhero IP. The contradiction is less embarrassing than it looks.
With a Cliff Booth novel and a David Fincher film from his screenplay, Quentin Tarantino is separating authorship from the obligation to direct every version himself.
Leonardo DiCaprio and the Oscars: all his most famous defeats and snubs, from Titanic to The Wolf of Wall Street and One Battle After Another.
Greta Gerwig turns 43: from indie cinema and Lady Bird to Barbie’s global success and the coming Narnia challenge, between authorship, industry and IMAX cinema.
Clint Eastwood turns 96 today. It is a number that, by itself, is enough to reopen the whole catalogue of the myth: the Man with No Name, the classical director, the last hard American still standing.
