While the reboot developed by Ryan Coogler has just wrapped filming on its pilot episode, Chris Carter is working on a new director’s cut of The X-Files: I Want to Believe.
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Lilly Wachowski presents The Hunted with a live reading: the political thriller, also produced by Natasha Lyonne, arrives at Dynasty Typewriter.
Rodrigo Teixeira will produce Bodies of Summer, Iván Fund’s new film based on Martín Felipe Castagnet’s novel: science fiction, death and digital consciousness.
Amazon MGM halts Martin Gero’s new Stargate series. Fans launch petitions and hashtags: can the sci-fi franchise still be saved?
The first trailer for I, Object reveals Andrew Niccol’s new film: grief, fantasy as a refuge after loss, and talking objects.
Alex Proyas relaunches Heaven at the Marché du Film with Ex Machina Studios and K5: a sci-fi satire about the digital afterlife, produced with an AI pipeline.
Andrew Niccol delivers a prophetic satire on Hollywood, stardom and synthetic images: in S1m0ne, the fake no longer imitates reality. It replaces it.
Cinema celebrates the best at the Oscars, but someone still has to deal with the worst. That is where the Razzie Awards come in: the ceremony that reminds Hollywood every
2026. UFOs, Aliens. There's something curious that happens periodically throughout human history: every now and then, we start looking at the sky with suspicion again.
In the genetically classist society of Gattaca, anyone born “imperfect” is forced to break free and win through the only force that escapes measurement: willpower.
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