Roger Avary, Oscar winner for the screenplay of Pulp Fiction and director of The Rules of Attraction, has chosen anything but an easy target: Paradise Lost, John Milton’s 1667 poem
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Andrew Garfield will play Sam Altman in Artificial, Luca Guadagnino’s film about the OpenAI crisis: Silicon Valley, artificial intelligence and power.
Alex Proyas relaunches Heaven at the Marché du Film with Ex Machina Studios and K5: a sci-fi satire about the digital afterlife, produced with an AI pipeline.
At Canva Create, Jon M. Chu talks about creative struggle, reveals a key detail from “Wicked: For Good,” and revives the “Crazy Rich Asians” musical.
Paramount announced at CinemaCon that Top Gun 3 is in development, with the script already well underway. Cruise and Bruckheimer are reunited, but his return on screen remains uncertain.
The trailer for As Deep as the Grave brings Val Kilmer back to the screen with AI: family consent, a central role, and a new case for Hollywood. The trailer
The Marché du Film 2026 strengthens AI, the creator economy and innovation: Cannes is not watching change from the sidelines,it is already trying to monetize it
At Filmart 2026, Asia is betting everything on AI in cinema. Hollywood remains stuck between lawsuits and unions while the future takes shape elsewhere.
Cinema celebrates the best at the Oscars, but someone still has to deal with the worst. That is where the Razzie Awards come in: the ceremony that reminds Hollywood every
Gore Verbinski returns to directing after almost a decade with Good Luck, Have Fun, Don’t Die. And in recent interviews, he has used the occasion to express strong and critical views on the role of artificial intelligence in cinema.
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