The Marché du Film 2026 strengthens AI, the creator economy and innovation: Cannes is not watching change from the sidelines,it is already trying to monetize it
Films, filmmakers and moving images explored through memory, style, industry and imagination. From classic cinema to contemporary visions, stories and the cultures that shape them.
The Marché du Film 2026 strengthens AI, the creator economy and innovation: Cannes is not watching change from the sidelines,it is already trying to monetize it
At Filmart 2026, Asia is betting everything on AI in cinema. Hollywood remains stuck between lawsuits and unions while the future takes shape elsewhere.
Cinema celebrates the best at the Oscars, but someone still has to deal with the worst. That is where the Razzie Awards come in: the ceremony that reminds Hollywood every
Gore Verbinski returns to directing after almost a decade with Good Luck, Have Fun, Don’t Die. And in recent interviews, he has used the occasion to express strong and critical views on the role of artificial intelligence in cinema.
Project Hail Mary, arriving in Italian cinemas on March 19, 2026, stars Ryan Gosling in the new film adaptation of the novel by Andy Weir.
Hollywood is facing a period of intense turbulence in 2026, caught between job contraction, artificial intelligence, and the protection of digital identities.