Higgsfield brings streamers and UFC champions into Cully Hill Boys: an AI-generated film experimenting with licensed avatars, compensation, and filmmaking without a set.
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Greta Gerwig turns 43: from indie cinema and Lady Bird to Barbie’s global success and the coming Narnia challenge, between authorship, industry and IMAX cinema.
Alan Ritchson will produce a MotoGP thriller for Netflix, written by Chris Morgan: Interpol, stolen antiquities and a brother long believed dead.
From August 5 to 15, the 79th Locarno Film Festival moves from new films by Hong Sang-soo and Denis Côté to the nights of Piazza Grande, from the Hollywood blacklist to new sources of financing. The common thread is not a theme imposed on the films, but a concrete question: who decides what gets to reach a screen?
The trailer for The Days Off follows Bego from the heat of Buenos Aires into reality shifting, an online practice that promises access to a desired reality.
Christopher Nolan explains the connection between The Odyssey and Oppenheimer: broken xenia, irreversible guilt and the limits of repentance.
In Paloma Schneideman’s feature debut, a 14-year-old tries to find her place among older teenagers through MSN and the still-limited technology of 2006.
The new Street Fighter footage shows Jason Momoa’s Blanka battling Ryu, while three prominent figures from the fighting game community appear on screen.
Searchlight Pictures is developing a new film adaptation of Desperation, the novel by Stephen King published in 1996.
Fortitude, the spy film starring Nicolas Cage, has not yet been released, but an unencrypted DCP has disappeared from Netflix’s offices. According to the producers, the film’s exclusivity may have vanished along with the drive.
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