Scarlett Johansson enters Ari Aster’s unstable territory. The project is titled Scapegoat, it will be written and directed by the filmmaker behind Hereditary and Midsommar, and it will arrive under
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A lost version of Gremlins has been found in Los Angeles: Joe Dante’s rough cut reveals deleted scenes, extra chaos and new monstrosities.
From Ben Affleck to James Cameron, from OpenAI to YouTube: all the most influential startups, studios and activists in Hollywood during this period of technological acceleration.
Roger Avary, Oscar winner for the screenplay of Pulp Fiction and director of The Rules of Attraction, has chosen anything but an easy target: Paradise Lost, John Milton’s 1667 poem
Andrew Garfield will play Sam Altman in Artificial, Luca Guadagnino’s film about the OpenAI crisis: Silicon Valley, artificial intelligence and power.
Chernobyl turns 40: technical data, Soviet lies, health effects, environmental contamination, and new risks from the war in Ukraine.
Alex Proyas relaunches Heaven at the Marché du Film with Ex Machina Studios and K5: a sci-fi satire about the digital afterlife, produced with an AI pipeline.
Earth Day 2026: official theme, climate data, energy, renewables, and power grids. Fortunately, Artemis II has given us a new family portrait.
When people talk about Spotify, the debate is always the same: it pays too little, it is overcrowded, it is impossible to break through. All true. And all irrelevant.
Paramount is bringing Call of Duty to theaters on June 30, 2028, with Pete Berg directing and Taylor Sheridan writing. The goal: war, scale, and authenticity.
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