Andy Serkis clarifies how AI will be used for de-aging, discusses diversity in the cast and renews his campaign for motion-capture performances to receive proper recognition.
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With the arrival of Alan’s Universe, Netflix is confirming an increasingly clear strategy: taking creators, formats and audiences already proven on YouTube and bringing them into its own catalogue.
IndieWire talks about security and nostalgia. But mergers, streaming and AI reveal a much larger problem: audiences are losing their cultural rights.
Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
Netflix, Sony and Paramount are reportedly in talks to acquire Letterboxd, valued at $250 million. At stake are its community, data and film-discovery power.
Automattic, the company led by WordPress co-founder Matt Mullenweg, produced Code for the People: The Human Story of the Open Web.
Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
CAA challenges Meta: Muse Image can use photos and likenesses from public Instagram profiles. The agency is demanding explicit consent, stronger controls and rapid removal procedures.
Tilly Norwood will star in Misaligned: the first film featuring the AI actress shows how Hollywood is testing a new idea of performer.
At the Karlovy Vary Film Festival, Harvey Keitel defends cinema as an aesthetic force capable of changing culture, broadening our vision and healing prejudice.
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