Fortnite Community Day shows how Epic’s battle royale has become a permanent live event, mixing rewards, story reveals, fandom and platform culture.
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Steven Spielberg sets his boundary on AI in cinema: it can be a tool, but it must not decide dialogue, directing, set design, or have the final creative word.
Dreams of Violets debuts at the 2026 Tribeca Festival: a live-action film generated with AI, 74-75 minutes long, with a reported budget of $2,000 and plenty of controversy.
IMAX is considering a possible sale: between streaming, Big Tech and premium cinema, the big screen becomes the last infrastructure to conquer.
Spotify is betting on AI, personal podcasts, remixes and generative content: user taste becomes the raw material of the new personalized audio.
Seth Rogen attacks screenwriters who use AI, while many Hollywood workers are training algorithms just to survive.
Darren Aronofsky defends the AI project On This Day… 1776 at Cannes, developed with Primordial Soup ahead of the 250th anniversary of the Declaration of Independence.
At Cannes, Peter Jackson receives the honorary Palme d’Or from Elijah Wood and defends AI as a tool: but Gollum reopens the problem of the digital actor.
Poppy stars in The Most Perfect Perfect Person, Paul Trillo’s short film about AI cloning, correcting, and replacing a public identity.
Q’orianka Kilcher accuses James Cameron and Disney of using her face for Neytiri in Avatar: for Hollywood, the Indigenous face has become an asset.
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