
YouTube and Variety are bringing Mark Vins and Ziwe to the Toronto International Film Festival’s new professional market, where the creator economy is beginning to speak the language of the industry openly.
On September 10, 2026, the opening day of the Toronto International Film Festival, the first Variety x YouTube Creator Festival will debut, featuring two new productions from Mark Vins and Ziwe, followed by conversations with the creators.
These will not, however, be screenings from the festival’s official selection: they will be part of TIFF: The Market, Toronto’s new professional marketplace launching this year. A distinction that may be less glamorous than the red carpet, but potentially far more significant.
The project closest to traditional cinema is Reef to Ridge, a feature-length documentary by Mark Vins and the Brave Wilderness team. The expedition crosses the Galápagos Islands from the seafloor to the summit of Wolf Volcano: according to the film’s presentation, the crew traveled from roughly 40 meters below sea level to more than 1,700 meters in elevation, documenting species that survived the 2022 eruption and the conservation efforts being carried out to protect those most at risk. The trailer for Reef to Ridge presents the project as the first time a film crew was granted access to document the entire route within a single expedition.
Vins is CEO and co-founder of Brave Wilderness, the company he built with Coyote Peterson that has grown into one of the largest digital brands devoted to wildlife. The conservation organization Re:wild, co-founded by Leonardo DiCaprio, credits the project with an audience of around 19 million subscribers and more than four billion views. In other words, Vins arrives in Toronto with something many documentary filmmakers are still trying to build after completing a film: an existing distribution system and an established audience.
At the opposite end of the spectrum is Ziwe, who will present two new episodes of You’d Be an Iconic Guest, the interview series through which she brought her deliberately uncomfortable brand of humor back to YouTube after the two seasons of her Showtime series: a trajectory that runs almost in reverse to the traditional one.
TIFF: The Market will debut from September 10 to 16 at the Metro Toronto Convention Centre, with hundreds of slots for screenings, meetings and activities aimed at producers, distributors, financiers and buyers. It is not simply a social extension of the festival: the initiative is also backed by a C$23 million investment from the federal government and was created with the explicit goal of turning Toronto into a permanent international content market.
Toronto had already hosted creators coming from YouTube: in 2025, for example, Curry Barker brought Obsession to the festival, while productions intended for the platform had passed through Toronto in previous years as well. But in the meantime, the scale of the phenomenon has changed: Markiplier self-financed Iron Lung, taking it to theaters and later surpassing $50 million worldwide; Kane Parsons turned the viral Backrooms videos into a major project for A24, while Barker’s own Obsession became one of the year’s most surprising commercial cases.
Now, for the first time, YouTube is organizing its own creator showcase inside the new Market, following a 2026 that has stripped away much of the old distinction between “YouTuber” and filmmaker: the audience Hollywood once tried to reach by paying influencers has begun financing its creators directly.