Chernobyl turns 40: technical data, Soviet lies, health effects, environmental contamination, and new risks from the war in Ukraine.
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Alex Proyas relaunches Heaven at the Marché du Film with Ex Machina Studios and K5: a sci-fi satire about the digital afterlife, produced with an AI pipeline.
Earth Day 2026: official theme, climate data, energy, renewables, and power grids. Fortunately, Artemis II has given us a new family portrait.
RentAHuman promises to let AI agents carry out physical tasks through human beings. Behind the gimmick, a new on-demand labor model emerges.
China’s humanoid robot marathon is more than a spectacle: it is an industrial showcase revealing the ambitions, limits, and power of the robotics industry of the future.
Google is negotiating with the Pentagon to bring Gemini into classified environments: this is how artificial intelligence enters the decision-making chain of war.
At Visions du Réel 2026, Heat by Jacqueline Zünd arrives: a sensory documentary set in the Persian Gulf, where extreme heat becomes climate, class, and a human alarm.
Suno, the major labels, lawsuits, deals, and hard numbers: why AI music has gone from an industry taboo to a battleground and a business opportunity in the record market.
At Canva Create, Jon M. Chu talks about creative struggle, reveals a key detail from “Wicked: For Good,” and revives the “Crazy Rich Asians” musical.
The trailer for As Deep as the Grave brings Val Kilmer back to the screen with AI: family consent, a central role, and a new case for Hollywood. The trailer
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