The interview with Maurizio Manzieri explores the art of fantastic illustration, from science fiction covers to cinema, all the way to the arrival of AI within the creative process.
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Apple TV+ is preparing Neuromancer, an adaptation of William Gibson’s novel: a series that could bring cyberpunk back to its industrial and political core.
Released in 1996, Independence Day is the film that turned alien invasion into a military parade, a civil mass, and a pyrotechnic spectacle of American hegemony
OMNI Hyperphantasia awards Robert Gaudette among 3,800 AI films: with Alex Proyas on the jury, generative cinema is now a crowded ecosystem in search of selection.
From online phenomenon to Hollywood’s new object of desire: Amazon MGM Studios, United Artists and Amblin will bring Alex Kister’s horror project to the big screen.
Gillian Anderson and Hannah Einbinder star in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, a queer meta-slasher that reclaims horror, desire, identity, and the myth of the final girl.
While the reboot developed by Ryan Coogler has just wrapped filming on its pilot episode, Chris Carter is working on a new director’s cut of The X-Files: I Want to Believe.
Shortical raises $100 million, Instagram targets TV, Peacock tests ReelShort and India accelerates: all the data on the microdrama boom.
Cate Blanchett presents the Human Consent Registry: a free registry designed to protect faces, voices and identities from unauthorized use by AI.
Robert Eggers returns to the place contemporary horror cinema finds hardest to reach: the ancient darkness of what mankind cannot control, and has therefore always tried to transform into myth.
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