Netflix reportedly paid $587 million for InterPositive, while generative AI has already been used in around 300 of the group’s productions in 2026.
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The film about Rupert Murdoch’s acquisition of The Sun will open the Venice Film Festival on September 2, returning to the origins of the relationship between information, audiences and power.
Before facing Apollo Creed, Sylvester Stallone had to contend with an older, more organized opponent—one far harder to knock out with an uppercut: the film industry.
Andy Serkis clarifies how AI will be used for de-aging, discusses diversity in the cast and renews his campaign for motion-capture performances to receive proper recognition.
With the arrival of Alan’s Universe, Netflix is confirming an increasingly clear strategy: taking creators, formats and audiences already proven on YouTube and bringing them into its own catalogue.
IndieWire talks about security and nostalgia. But mergers, streaming and AI reveal a much larger problem: audiences are losing their cultural rights.
Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
Netflix, Sony and Paramount are reportedly in talks to acquire Letterboxd, valued at $250 million. At stake are its community, data and film-discovery power.
Automattic, the company led by WordPress co-founder Matt Mullenweg, produced Code for the People: The Human Story of the Open Web.
Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
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