From online phenomenon to Hollywood’s new object of desire: Amazon MGM Studios, United Artists and Amblin will bring Alex Kister’s horror project to the big screen.
113Articles
Gillian Anderson and Hannah Einbinder star in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, a queer meta-slasher that reclaims horror, desire, identity, and the myth of the final girl.
While the reboot developed by Ryan Coogler has just wrapped filming on its pilot episode, Chris Carter is working on a new director’s cut of The X-Files: I Want to Believe.
Shortical raises $100 million, Instagram targets TV, Peacock tests ReelShort and India accelerates: all the data on the microdrama boom.
Cate Blanchett presents the Human Consent Registry: a free registry designed to protect faces, voices and identities from unauthorized use by AI.
Robert Eggers returns to the place contemporary horror cinema finds hardest to reach: the ancient darkness of what mankind cannot control, and has therefore always tried to transform into myth.
Uwe Boll’s film starring Armie Hammer, blocked in Germany and amplified on X, has become the perfect case study for understanding how outrage is distributed today.
Robert Gaudette discusses A Face Only a Mother Could Love, generative AI, the Runway AI Film Festival, and the future of authorship between image, imperfection, and storytelling.
With Alejandro González Iñárritu’s new film, Tom Cruise seems to step out of the body of the action hero and into the more ambiguous one of the tycoon who causes the disaster and then expects to save us.
Xbox is preparing more than a dozen films and series: from Sea of Thieves to Gears of War, Microsoft is bringing worlds already inhabited by audiences to the screen.
Random
Donations
