Roy Price’s N1BW turns 60–120 second microseries into a public development system where every episode can function as a pilot, market test and production decision.
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Aaron Sorkin returns to Facebook sixteen years after The Social Network, shifting the drama from the platform’s creation to what the company knew about its effects.
At Busan’s Asian Contents & Film Market, AI, cloud infrastructure, VFX, microdrama and audience biometrics are being organized into one production-and-distribution chain.
Richard Kelly is continuing Donnie Darko with The Philosophy of Time Travel, an 800-page novel designed to stand alone and potentially open the way to multiple films.
The Paramount-Warner merger would bring the CNN and CBS archives under a single owner. For documentary filmmakers, the issue is not only preserving them, but being able to use them.
Lilly Wachowski says Hollywood likes the screenplay for The Hunted but does not want to finance a $10 million thriller with an entirely trans cast.
YouTube and Variety are bringing Mark Vins and Ziwe to the Toronto International Film Festival’s new professional market, where the creator economy is beginning to speak the language of the industry openly.
Alden Ehrenreich joins Austin Butler and Michael B. Jordan in Miami Vice ’85, Joseph Kosinski’s new film that takes Crockett and Tubbs straight back to…
The trailer for Paper Tiger brings Adam Driver, Miles Teller and Scarlett Johansson to 1986 New York, caught between the Russian mob, family and ambition.
Warner Bros. Discovery has officially put Matrix back on its film roadmap: Drew Goddard will write and direct the new movie, Lana Wachowski remains involved, while Neo, Trinity and even the title are still uninitialized variables.
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