CAA challenges Meta: Muse Image can use photos and likenesses from public Instagram profiles. The agency is demanding explicit consent, stronger controls and rapid removal procedures.
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Tilly Norwood will star in Misaligned: the first film featuring the AI actress shows how Hollywood is testing a new idea of performer.
At the Karlovy Vary Film Festival, Harvey Keitel defends cinema as an aesthetic force capable of changing culture, broadening our vision and healing prejudice.
The interview with Maurizio Manzieri explores the art of fantastic illustration, from science fiction covers to cinema, all the way to the arrival of AI within the creative process.
Apple TV+ is preparing Neuromancer, an adaptation of William Gibson’s novel: a series that could bring cyberpunk back to its industrial and political core.
Released in 1996, Independence Day is the film that turned alien invasion into a military parade, a civil mass, and a pyrotechnic spectacle of American hegemony
OMNI Hyperphantasia awards Robert Gaudette among 3,800 AI films: with Alex Proyas on the jury, generative cinema is now a crowded ecosystem in search of selection.
From online phenomenon to Hollywood’s new object of desire: Amazon MGM Studios, United Artists and Amblin will bring Alex Kister’s horror project to the big screen.
Gillian Anderson and Hannah Einbinder star in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, a queer meta-slasher that reclaims horror, desire, identity, and the myth of the final girl.
While the reboot developed by Ryan Coogler has just wrapped filming on its pilot episode, Chris Carter is working on a new director’s cut of The X-Files: I Want to Believe.
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