Festivals, tools and independent creators are building their own supply chain around AI cinema, while the old industry protects control, rents and slow decision-making.
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Quentin Tarantino and Kylie Minogue are in the cast of Tangled Up in Blue, the new Jamie Adams film shot in Wales with Visor Entertainment.
At the Shanghai Film Festival, AI Backlot, iPhone-shot shorts and VR show how China is turning cinema into pure technological production.
Lilly Wachowski presents The Hunted with a live reading: the political thriller, also produced by Natasha Lyonne, arrives at Dynasty Typewriter.
After the DOJ green light, the Paramount-Warner merger opens new fronts: jobs, archives, the FCC, foreign funds and control over audiovisual memory.
With Synthetic Sincerity, Marc Isaacs uses a fake AI research project to strike at glossy documentary filmmaking: ordinary people disappear, and what remains are avatars and celebrities.
Amazon Drops Artificial, Luca Guadagnino’s Sam Altman Biopic, After OpenAI Partnership: “It Will Be Better Served by Another Studio”
Epic connects Fortnite, Unreal Engine 6 and generative AI. Skins, assets and creative labor enter a new industrial phase.
Robert Gaudette wins the Runway AI Film Festival with a short film generated by AI: art, labor and cinema enter a new industrial zone.
Fox acquires Roku for $22 billion: it is not just streaming, but control over distribution, advertising and direct access to viewers.
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