Paramount is developing a Cyberpunk 2077 film with CD Projekt Red. The real challenge may be choosing a story without letting the franchise overwhelm it.
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The Paramount-Warner merger promises more movies. The failure of one expensive bet leaves a less comfortable question behind: who will still have permission to try something different?
Nicolas Cage says the Marvel Cinematic Universe is becoming a glorified, heavily financed version of professional wrestling. At the same time, he is preparing another thriller and remains attached to superhero IP. The contradiction is less embarrassing than it looks.
Greta Garbo has been reconstructed with AI for an advertising campaign. Digital likeness vaults suggest a future where stardom can work in many places at once.
With a Cliff Booth novel and a David Fincher film from his screenplay, Quentin Tarantino is separating authorship from the obligation to direct every version himself.
AI could make another Paul Walker appearance technically possible in Fast Forever. The harder question is who has the right to authorize a new performance.
A first-look deal with Crazy Legs Productions turns the New York Post archive into a development library for film, television and streaming.
Aaron Sorkin returns to Facebook sixteen years after The Social Network, shifting the drama from the platform’s creation to what the company knew about its effects.
Richard Kelly is continuing Donnie Darko with The Philosophy of Time Travel, an 800-page novel designed to stand alone and potentially open the way to multiple films.
Xbox is preparing more than a dozen films and series: from Sea of Thieves to Gears of War, Microsoft is bringing worlds already inhabited by audiences to the screen.
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