Searchlight Pictures is developing a new film adaptation of Desperation, the novel by Stephen King published in 1996.
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Films, filmmakers and moving images explored through memory, style, industry and imagination. From classic cinema to contemporary visions, stories and the cultures that shape them.
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The film about Rupert Murdoch’s acquisition of The Sun will open the Venice Film Festival on September 2, returning to the origins of the relationship between information, audiences and power.
Before facing Apollo Creed, Sylvester Stallone had to contend with an older, more organized opponent—one far harder to knock out with an uppercut: the film industry.
Andy Serkis clarifies how AI will be used for de-aging, discusses diversity in the cast and renews his campaign for motion-capture performances to receive proper recognition.
Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
CAA challenges Meta: Muse Image can use photos and likenesses from public Instagram profiles. The agency is demanding explicit consent, stronger controls and rapid removal procedures.
Gillian Anderson and Hannah Einbinder star in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, a queer meta-slasher that reclaims horror, desire, identity, and the myth of the final girl.
Robert Eggers returns to the place contemporary horror cinema finds hardest to reach: the ancient darkness of what mankind cannot control, and has therefore always tried to transform into myth.
Uwe Boll’s film starring Armie Hammer, blocked in Germany and amplified on X, has become the perfect case study for understanding how outrage is distributed today.
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