Earth Day 2026: official theme, climate data, energy, renewables, and power grids. Fortunately, Artemis II has given us a new family portrait.
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When people talk about Spotify, the debate is always the same: it pays too little, it is overcrowded, it is impossible to break through. All true. And all irrelevant.
Paramount is bringing Call of Duty to theaters on June 30, 2028, with Pete Berg directing and Taylor Sheridan writing. The goal: war, scale, and authenticity.
At Visions du Réel 2026, Heat by Jacqueline Zünd arrives: a sensory documentary set in the Persian Gulf, where extreme heat becomes climate, class, and a human alarm.
Suno, the major labels, lawsuits, deals, and hard numbers: why AI music has gone from an industry taboo to a battleground and a business opportunity in the record market.
At Canva Create, Jon M. Chu talks about creative struggle, reveals a key detail from “Wicked: For Good,” and revives the “Crazy Rich Asians” musical.
Paramount announced at CinemaCon that Top Gun 3 is in development, with the script already well underway. Cruise and Bruckheimer are reunited, but his return on screen remains uncertain.
Tribeca 2026 unveils its 25th anniversary lineup: 118 films, 103 world premieres, Tarantino as actor, Paul Rudd, Aubrey Plaza, and documentaries on AI, TikTok and politics.
The trailer for As Deep as the Grave brings Val Kilmer back to the screen with AI: family consent, a central role, and a new case for Hollywood. The trailer
Es Devlin takes artificial intelligence out of technical language and brings it back to matter: clay, symbols, limits, and the relationship between humans and technology.
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