Andrew Garfield will play Sam Altman in Artificial, Luca Guadagnino’s film about the OpenAI crisis: Silicon Valley, artificial intelligence and power.
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Chernobyl turns 40: technical data, Soviet lies, health effects, environmental contamination, and new risks from the war in Ukraine.
Alex Proyas relaunches Heaven at the Marché du Film with Ex Machina Studios and K5: a sci-fi satire about the digital afterlife, produced with an AI pipeline.
Earth Day 2026: official theme, climate data, energy, renewables, and power grids. Fortunately, Artemis II has given us a new family portrait.
When people talk about Spotify, the debate is always the same: it pays too little, it is overcrowded, it is impossible to break through. All true. And all irrelevant.
Paramount is bringing Call of Duty to theaters on June 30, 2028, with Pete Berg directing and Taylor Sheridan writing. The goal: war, scale, and authenticity.
At Visions du Réel 2026, Heat by Jacqueline Zünd arrives: a sensory documentary set in the Persian Gulf, where extreme heat becomes climate, class, and a human alarm.
Suno, the major labels, lawsuits, deals, and hard numbers: why AI music has gone from an industry taboo to a battleground and a business opportunity in the record market.
At Canva Create, Jon M. Chu talks about creative struggle, reveals a key detail from “Wicked: For Good,” and revives the “Crazy Rich Asians” musical.
Paramount announced at CinemaCon that Top Gun 3 is in development, with the script already well underway. Cruise and Bruckheimer are reunited, but his return on screen remains uncertain.
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