Titan Quest 2 grows in early access with new masteries, summons, loot, and Greek mythology: the return of the classic Diablo-like against the live-service era.
Titan Quest 2 grows in early access with new masteries, summons, loot, and Greek mythology: the return of the classic Diablo-like against the live-service era.
The crushing success of Backrooms and Obsession against Star Wars shows that the new Hollywood will be born from YouTube, AI, microdrama and Big Tech platforms.
Clint Eastwood turns 96 today. It is a number that, by itself, is enough to reopen the whole catalogue of the myth: the Man with No Name, the classical director, the last hard American still standing.
Fortnite Community Day shows how Epic’s battle royale has become a permanent live event, mixing rewards, story reveals, fandom and platform culture.
Steven Spielberg sets his boundary on AI in cinema: it can be a tool, but it must not decide dialogue, directing, set design, or have the final creative word.
Dreams of Violets debuts at the 2026 Tribeca Festival: a live-action film generated with AI, 74-75 minutes long, with a reported budget of $2,000 and plenty of controversy.
IMAX is considering a possible sale: between streaming, Big Tech and premium cinema, the big screen becomes the last infrastructure to conquer.
Spotify is betting on AI, personal podcasts, remixes and generative content: user taste becomes the raw material of the new personalized audio.
Seth Rogen attacks screenwriters who use AI, while many Hollywood workers are training algorithms just to survive.
Darren Aronofsky defends the AI project On This Day… 1776 at Cannes, developed with Primordial Soup ahead of the 250th anniversary of the Declaration of Independence.