Andrew Niccol delivers a prophetic satire on Hollywood, stardom and synthetic images: in S1m0ne, the fake no longer imitates reality. It replaces it.
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The Marché du Film 2026 strengthens AI, the creator economy and innovation: Cannes is not watching change from the sidelines,it is already trying to monetize it
Can you live without internet today? A realistic guide to backing up your life offline, from money and maps to documents, work and communication.
Black holes are among the most extreme objects in the universe, but they are not “cosmic vacuum cleaners” that randomly swallow everything. They are regions of space where gravity becomes
Affleck and Damon launch the Writers’ Room and strengthen their alliance with Netflix: in-house development, creative control and a new balance of power in global cinema
The internet produces more information than ever before. Information overload, anticipated by Gillo Dorfles in Horror Pleni, is changing the way we understand the world.
At Filmart 2026, Asia is betting everything on AI in cinema. Hollywood remains stuck between lawsuits and unions while the future takes shape elsewhere.
Cinema celebrates the best at the Oscars, but someone still has to deal with the worst. That is where the Razzie Awards come in: the ceremony that reminds Hollywood every
2026. UFOs, Aliens. There's something curious that happens periodically throughout human history: every now and then, we start looking at the sky with suspicion again.
In the genetically classist society of Gattaca, anyone born “imperfect” is forced to break free and win through the only force that escapes measurement: willpower.
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