The United States is considering public stakes in major AI companies. Between OpenAI, Anthropic, IPOs and dividends, artificial intelligence is becoming a matter of national power.
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Hasbro launches Sixth Wall, an AI studio designed to license characters such as Optimus Prime and Mr. Potato Head: the future of entertainment is becoming interactive.
Christopher Nolan turns The Odyssey into a political case:IMAX, AI, the DGA, the Academy and the future of movie theaters inside a new hierarchy of event cinema
Titan Quest 2 grows in early access with new masteries, summons, loot, and Greek mythology: the return of the classic Diablo-like against the live-service era.
The crushing success of Backrooms and Obsession against Star Wars shows that the new Hollywood will be born from YouTube, AI, microdrama and Big Tech platforms.
Clint Eastwood turns 96 today. It is a number that, by itself, is enough to reopen the whole catalogue of the myth: the Man with No Name, the classical director, the last hard American still standing.
Fortnite Community Day shows how Epic’s battle royale has become a permanent live event, mixing rewards, story reveals, fandom and platform culture.
Steven Spielberg sets his boundary on AI in cinema: it can be a tool, but it must not decide dialogue, directing, set design, or have the final creative word.
Dreams of Violets debuts at the 2026 Tribeca Festival: a live-action film generated with AI, 74-75 minutes long, with a reported budget of $2,000 and plenty of controversy.
IMAX is considering a possible sale: between streaming, Big Tech and premium cinema, the big screen becomes the last infrastructure to conquer.
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