Lilly Wachowski presents The Hunted with a live reading: the political thriller, also produced by Natasha Lyonne, arrives at Dynasty Typewriter.
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After the DOJ green light, the Paramount-Warner merger opens new fronts: jobs, archives, the FCC, foreign funds and control over audiovisual memory.
With Synthetic Sincerity, Marc Isaacs uses a fake AI research project to strike at glossy documentary filmmaking: ordinary people disappear, and what remains are avatars and celebrities.
Amazon Drops Artificial, Luca Guadagnino’s Sam Altman Biopic, After OpenAI Partnership: “It Will Be Better Served by Another Studio”
Epic connects Fortnite, Unreal Engine 6 and generative AI. Skins, assets and creative labor enter a new industrial phase.
Robert Gaudette wins the Runway AI Film Festival with a short film generated by AI: art, labor and cinema enter a new industrial zone.
Fox acquires Roku for $22 billion: it is not just streaming, but control over distribution, advertising and direct access to viewers.
The new film directed by Andy Serkis is taking shape: Ian McKellen is preparing to return as Gandalf in New Zealand, while Anya Taylor-Joy joins the cast.
At Tribeca 2026, Dear Upstairs Neighbors shows a concrete path for AI in cinema: custom-built models, artists in control, and carefully managed workflows.
Peter Weir receives the first AFTRS Lifetime Achievement Award at the Sydney Film Festival: a tribute to a cinema capable of giving shape to mystery without consuming it.
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