Spotify is betting on AI, personal podcasts, remixes and generative content: user taste becomes the raw material of the new personalized audio.
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Seth Rogen attacks screenwriters who use AI, while many Hollywood workers are training algorithms just to survive.
Darren Aronofsky defends the AI project On This Day… 1776 at Cannes, developed with Primordial Soup ahead of the 250th anniversary of the Declaration of Independence.
At Cannes, Peter Jackson receives the honorary Palme d’Or from Elijah Wood and defends AI as a tool: but Gollum reopens the problem of the digital actor.
Poppy stars in The Most Perfect Perfect Person, Paul Trillo’s short film about AI cloning, correcting, and replacing a public identity.
Q’orianka Kilcher accuses James Cameron and Disney of using her face for Neytiri in Avatar: for Hollywood, the Indigenous face has become an asset.
Scarlett Johansson enters Ari Aster’s unstable territory. The project is titled Scapegoat, it will be written and directed by the filmmaker behind Hereditary and Midsommar, and it will arrive under
A lost version of Gremlins has been found in Los Angeles: Joe Dante’s rough cut reveals deleted scenes, extra chaos and new monstrosities.
From Ben Affleck to James Cameron, from OpenAI to YouTube: all the most influential startups, studios and activists in Hollywood during this period of technological acceleration.
Roger Avary, Oscar winner for the screenplay of Pulp Fiction and director of The Rules of Attraction, has chosen anything but an easy target: Paradise Lost, John Milton’s 1667 poem
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