AI may eventually reduce costs through productivity. Before that happens, data centers, chips, energy and debt are already making the technology intensely physical.
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Greta Garbo has been reconstructed with AI for an advertising campaign. Digital likeness vaults suggest a future where stardom can work in many places at once.
AI agents may not eliminate digital platforms. They can place a new intermediary above them — one that controls the decision instead of merely the click.
A chatbot can give a bad answer. An AI agent can send it, execute it or use credentials to act on it. That turns model risk into operational security.
The real shift from chatbots to AI agents is not better conversation. It is software that can pursue an objective, use tools and keep working after the chat ends.
At San Sebastián, Werner Herzog warned filmmakers not to surrender thought and dreams to algorithms. His real argument is less anti-tech than anti-predictability.
Europe does not need to build every technology itself. Digital sovereignty begins with something less dramatic: retaining the practical ability to leave.
Lightstorm Vision’s acquisition of Outsyders joins native stereoscopic capture with AI-assisted conversion, aiming to make 3D faster, cheaper and scalable.
AI could make another Paul Walker appearance technically possible in Fast Forever. The harder question is who has the right to authorize a new performance.
Paul Schrader calls the studio system dead, finances films for a few million dollars and embraces AI. His real argument is that creative freedom follows the budget.
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