Steven Spielberg sets his boundary on AI in cinema: it can be a tool, but it must not decide dialogue, directing, set design, or have the final creative word.
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Dreams of Violets debuts at the 2026 Tribeca Festival: a live-action film generated with AI, 74-75 minutes long, with a reported budget of $2,000 and plenty of controversy.
Spotify is betting on AI, personal podcasts, remixes and generative content: user taste becomes the raw material of the new personalized audio.
Darren Aronofsky defends the AI project On This Day… 1776 at Cannes, developed with Primordial Soup ahead of the 250th anniversary of the Declaration of Independence.
At Cannes, Peter Jackson receives the honorary Palme d’Or from Elijah Wood and defends AI as a tool: but Gollum reopens the problem of the digital actor.
Poppy stars in The Most Perfect Perfect Person, Paul Trillo’s short film about AI cloning, correcting, and replacing a public identity.
Q’orianka Kilcher accuses James Cameron and Disney of using her face for Neytiri in Avatar: for Hollywood, the Indigenous face has become an asset.
From Ben Affleck to James Cameron, from OpenAI to YouTube: all the most influential startups, studios and activists in Hollywood during this period of technological acceleration.
Roger Avary, Oscar winner for the screenplay of Pulp Fiction and director of The Rules of Attraction, has chosen anything but an easy target: Paradise Lost, John Milton’s 1667 poem
Andrew Garfield will play Sam Altman in Artificial, Luca Guadagnino’s film about the OpenAI crisis: Silicon Valley, artificial intelligence and power.
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