Danny Boyle’s warning about AI journalism is not mainly about job losses. It is about whether a machine can challenge the people who own its model, infrastructure and distribution.
Technology3- Page
31Articles
Tippett Studio’s Berkeley workshop has closed, sending models and equipment from decades of effects work to auction while the company continues from Canada.
Roy Price’s N1BW turns 60–120 second microseries into a public development system where every episode can function as a pilot, market test and production decision.
Aaron Sorkin returns to Facebook sixteen years after The Social Network, shifting the drama from the platform’s creation to what the company knew about its effects.
At Busan’s Asian Contents & Film Market, AI, cloud infrastructure, VFX, microdrama and audience biometrics are being organized into one production-and-distribution chain.
Netflix reportedly paid $587 million for InterPositive, while generative AI has already been used in around 300 of the group’s productions in 2026.
Epic connects Fortnite, Unreal Engine 6 and generative AI. Skins, assets and creative labor enter a new industrial phase.
Christopher Nolan turns The Odyssey into a political case:IMAX, AI, the DGA, the Academy and the future of movie theaters inside a new hierarchy of event cinema
Doug Liman is preparing Bitcoin, formerly known as Killing Satoshi: a real cast, AI-enhanced faces, and Bezos, Zuckerberg, Putin, Kim Jong Un and Eric Trump thrown into the crypto blender.
Chernobyl turns 40: technical data, Soviet lies, health effects, environmental contamination, and new risks from the war in Ukraine.
Random
Donations
