Higgsfield brings streamers and UFC champions into Cully Hill Boys: an AI-generated film experimenting with licensed avatars, compensation, and filmmaking without a set.
AI
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From Del Toro to Nolan, artists, unions and researchers are mounting increasingly influential resistance to the use of artificial intelligence. Yet an anti-AI front is not enough to create the cultural reverse shot still missing from the narrative of industrial inevitability.
Netflix reportedly paid $587 million for InterPositive, while generative AI has already been used in around 300 of the group’s productions in 2026.
Christopher Nolan argues that Gen Z is rejecting AI in cinema. But four children and two Western success stories do not represent a global audience.
Ridley Scott is producing The Vesuvius Challenge, a documentary narrated by Guy Pearce about the project using X-rays and AI to read the Herculaneum scrolls.
CAA challenges Meta: Muse Image can use photos and likenesses from public Instagram profiles. The agency is demanding explicit consent, stronger controls and rapid removal procedures.
Tilly Norwood will star in Misaligned: the first film featuring the AI actress shows how Hollywood is testing a new idea of performer.
OMNI Hyperphantasia awards Robert Gaudette among 3,800 AI films: with Alex Proyas on the jury, generative cinema is now a crowded ecosystem in search of selection.
Cate Blanchett presents the Human Consent Registry: a free registry designed to protect faces, voices and identities from unauthorized use by AI.
Robert Gaudette discusses A Face Only a Mother Could Love, generative AI, the Runway AI Film Festival, and the future of authorship between image, imperfection, and storytelling.
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