Black holes are among the most extreme objects in the universe, but they are not “cosmic vacuum cleaners” that randomly swallow everything. They are regions of space where gravity becomes
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Affleck and Damon launch the Writers’ Room and strengthen their alliance with Netflix: in-house development, creative control and a new balance of power in global cinema
The internet produces more information than ever before. Information overload, anticipated by Gillo Dorfles in Horror Pleni, is changing the way we understand the world.
At Filmart 2026, Asia is betting everything on AI in cinema. Hollywood remains stuck between lawsuits and unions while the future takes shape elsewhere.
Cinema celebrates the best at the Oscars, but someone still has to deal with the worst. That is where the Razzie Awards come in: the ceremony that reminds Hollywood every
2026. UFOs, Aliens. There's something curious that happens periodically throughout human history: every now and then, we start looking at the sky with suspicion again.
In the genetically classist society of Gattaca, anyone born “imperfect” is forced to break free and win through the only force that escapes measurement: willpower.
Netflix is betting on AI for filmmaking, acquiring InterPositive, the company founded by Ben Affleck to support directors and creative professionals during production.
Directed by Danny Boyle, written by Alex Garland and scored by John Murphy, Sunshine (2007) is a hypnotic work of science fiction, scorched by fatalism.
Gore Verbinski returns to directing after almost a decade with Good Luck, Have Fun, Don’t Die. And in recent interviews, he has used the occasion to express strong and critical views on the role of artificial intelligence in cinema.
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